Cognitive Theory and Documentary Film

<div>1 Introduction: Intersecting Cognitive Theory and&nbsp;Documentary Film.-&nbsp;Part I The Mediation of Realities.-&nbsp;2 A Documentary of the Mind: Self, Cognition and&nbsp;Imagination in Anders &nbsp;Østergaard’s Films.-&nbsp;3 Little Voices and Big Spaces: Animated Documentary</div><div>and Conceptual Blending Theory.-&nbsp;4 Documentary Spectatorship and the Navigation of</div><div>“Difficulty”.-&nbsp;5 Docudrama and the Cognitive Evaluation of Realism.-&nbsp;6 The Duties of Documentary in a Post-Truth Society.-&nbsp;Part II Character Engagement.- 7 Characterization and Character Engagement in the&nbsp;Documentary.-&nbsp;8 The Difficulty of Eliciting Empathy in Documentary.- 9.Fake Pictures, Real Emotions: A Case Study of Art&nbsp;and Craft.-&nbsp;10 Engaging Animals in Wildlife Documentaries: From&nbsp;Anthropomorphism to Trans-species Empathy.-Part III Emotions and Embodied Experience.-11 Collateral Emotions: Political Web Videos and Divergent&nbsp;Audience Responses.-&nbsp;12 Slow TV: The Experiential and Multisensory</div><div>Documentary.-&nbsp;13 Toward a Cognitive Definition of First-Person&nbsp;Documentary.-&nbsp;14 The Communication of Relational Knowledge in the&nbsp;First-Person Documentary.-&nbsp;Part IV Documentary Practice.-&nbsp;15 A Social Cognition Approach to Stereotyping in&nbsp;Documentary Practice.-&nbsp;16 A Cognitive Approach to Producing the Documentary&nbsp;Interview.-&nbsp;17 Documentary Editing and Distributed Cognition</div><div><br></div>