Robert Neuman
Baroque and Rococo Art and Architecture (2-downloads)
E-book Engels 2012 9780205878505
Verwachte levertijd ongeveer 9 werkdagen
Samenvatting
Baroque and Rococo Art and Architecture is the first in-depth history of one of the great periods of Western art, spanning the years 1585 to 1785. The text treats the major media—painting, sculpture, drawings, prints, and architecture—as well as gardens, furniture, tapestries, costume, jewelry, and ceramics, all in terms of their original function and patronage and with emphasis on the social, political and cultural context. Organized by country and medium, the book contains biographies of the leading creative figures of the time, from Caravaggio and Rembrandt to Watteau and Hogarth. Significantly, Professor Neuman offers the fullest account to date of women artists and the representation of women and families in art. Additionally, drawing from recent scholarship, the text explores such fields as Spanish polychrome sculpture and Viceregal American painting.
Baroque and Rococo Art and Architecture reviews traditional and recent strategies for interpreting artworks. It also traces the dissemination of visual ideas through prints and drawings—the forerunners of today’s art reproductions and digital media. In special sections the text raises questions regarding the nature of perception and how artists transfer optical data to the canvas. Artists’ techniques, from painting and printmaking to sculpting in marble and casting in bronze, are explained. Analysis of the institutions of art, such as the royal academies, apprenticeship systems, and artists’ exhibition rooms, complements an examination of collecting at all levels of society. The book is exceptional in considering issues related to authenticity and the relative value of artworks based on attribution.
The illustrations comprise a visual resource of unprecedented quality, with some 450 images reproduced in full color and in a large format that ensures high detail and emphasizes recent conservation efforts. Finally, an extensive glossary introduces seventeenth- and eighteenth-century art terms.
Note: MySearchLab does not come automatically packaged with this text. To purchase MySearchLab, please visit: www.mysearchlab.com or you can purchase a ValuePack of the text +MySearchLab: ValuePack ISBN-10: 0205949517/ ValuePack ISBN-13: 9780205949519
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<p style="MARGIN: 0px">In this Section: <br>1) Brief Table of Contents</p> <p style="MARGIN: 0px">2) Detailed Table of Contents</p> <p style="MARGIN: 0px"> </p> <div text-align="center"> <hr align="center" SIZE="2" width="100%"> </div> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px"><u>BRIEF TABLE OF CONTENTS:</u></p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 1: The Birth of Baroque Painting in Italy </p> <p style="MARGIN: 0px">Chapter 2: The Sacred and Secular in Painting in Seventeenth-Century Italy </p> <p style="MARGIN: 0px">Chapter 3: Italian Baroque Sculpture and the Bel Composto </p> <p style="MARGIN: 0px">Chapter 4: Baroque Architecture in Italy </p> <p style="MARGIN: 0px">Chapter 5: The Golden Age of Spain and Viceregal America</p> <p style="MARGIN: 0px">Chapter 6: The Human Figure in Dutch Seventeenth Century Painting </p> <p style="MARGIN: 0px">Chapter 7: Picturing Holland in the Dutch Republic’s Golden Age </p> <p style="MARGIN: 0px">Chapter 8: Flemish Baroque Painting in the Age of Rubens </p> <p style="MARGIN: 0px">Chapter 9: French Painting and Prints of the Seventeenth Century</p> <p style="MARGIN: 0px">Chapter 10: Baroque Architecture in France and England </p> <p style="MARGIN: 0px">Chapter 11: French Painting from the Regency to the Reign of Louis XV </p> <p style="MARGIN: 0px">Chapter 12: The Public and the Private in French Painting of the Enlightenment </p> <p style="MARGIN: 0px">Chapter 13: French Sculpture and Architecture in the Eighteenth Century </p> <p style="MARGIN: 0px">Chapter 14: The Georgian Panorama in British Painting and Prints </p> <p style="MARGIN: 0px">Chapter 15: Architecture and Gardens in Eighteenth-Century Britain</p> <p style="MARGIN: 0px">Chapter 16: Eighteenth-Century Austria, Germany, and Italy </p> <p style="MARGIN: 0px"> </p> <hr> <p style="MARGIN: 0px"></p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px"> <u>DETAILED TABLE OF CONTENTS:</u></p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px" sonormal="">Chapter 1: The Birth of Baroque Painting in Italy </p> <p style="MARGIN: 0px">Rome </p> <p style="MARGIN: 0px">Bologna </p> <p style="MARGIN: 0px">Art for the Counter-Reformation Church </p> <p style="MARGIN: 0px">Patronage: The Pope and His Cardinals </p> <p style="MARGIN: 0px">Patronage: Religious Orders and Confraternities </p> <p style="MARGIN: 0px">Federico Barocci </p> <p style="MARGIN: 0px">The Carracci </p> <p style="MARGIN: 0px">Caravaggio </p> <p style="MARGIN: 0px">Public Religious Commissions </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 2: The Sacred and Secular in Painting in Seventeenth-Century Italy </p> <p style="MARGIN: 0px">Italian Followers of Caravaggio </p> <p style="MARGIN: 0px">The Bolognese School </p> <p style="MARGIN: 0px">Guido Reni </p> <p style="MARGIN: 0px">Domenichino </p> <p style="MARGIN: 0px">Giovanni Lanfranco </p> <p style="MARGIN: 0px">Guercino </p> <p style="MARGIN: 0px">Elisabetta Sirani </p> <p style="MARGIN: 0px">Bernardo Strozzi and Salvator Rosa </p> <p style="MARGIN: 0px">Pietro da Cortona </p> <p style="MARGIN: 0px">Andrea Sacchi </p> <p style="MARGIN: 0px">Giovanni Battista Gaulli </p> <p style="MARGIN: 0px">Luca Giordano </p> <p style="MARGIN: 0px">Andrea Pozzo </p> <p style="MARGIN: 0px"><br><br></p> <p style="MARGIN: 0px">Chapter 3: Italian Baroque Sculpture and the Bel Composto </p> <p style="MARGIN: 0px">Patronage: Urban VIII Barberini </p> <p style="MARGIN: 0px">Stefano Maderno </p> <p style="MARGIN: 0px">Pietro Bernini </p> <p style="MARGIN: 0px">Francesco Mochi </p> <p style="MARGIN: 0px">Gianlorenzo Bernini </p> <p style="MARGIN: 0px">François Duquesnoy </p> <p style="MARGIN: 0px">Alessandro Algardi </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 4: Baroque Architecture in Italy </p> <p style="MARGIN: 0px">Baroque Architecture in Italy </p> <p style="MARGIN: 0px">Roman Urbanism under Sixtus V </p> <p style="MARGIN: 0px">Roman Urbanism under Alexander VII </p> <p style="MARGIN: 0px">The Church </p> <p style="MARGIN: 0px">Il Gesù, Rome </p> <p style="MARGIN: 0px">Francesco Borromini </p> <p style="MARGIN: 0px">Gianlorenzo Bernini </p> <p style="MARGIN: 0px">Baldassare Longhena </p> <p style="MARGIN: 0px">Guarino Guarini </p> <p style="MARGIN: 0px">Domestic Architecture </p> <p style="MARGIN: 0px">The Palazzo Interior </p> <p style="MARGIN: 0px">The Country House </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 5: The Golden Age of Spain and Viceregal Spain </p> <p style="MARGIN: 0px">The Visual Arts </p> <p style="MARGIN: 0px">An Artist’s Life </p> <p style="MARGIN: 0px">Juan Sánchez Cotán </p> <p style="MARGIN: 0px">Francisco Ribalta </p> <p style="MARGIN: 0px">Jusepe de Ribera </p> <p style="MARGIN: 0px">Francisco de Zurbarán </p> <p style="MARGIN: 0px">Polychrome Sculpture </p> <p style="MARGIN: 0px">Diego Velázquez </p> <p style="MARGIN: 0px">Bartolomé Esteban Murillo </p> <p style="MARGIN: 0px">Juan de Valdés Real </p> <p style="MARGIN: 0px">Iberian Architecture </p> <p style="MARGIN: 0px">Latin American Architecture </p> <p style="MARGIN: 0px">Latin American Painting </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 6: The Human Figure in Dutch Seventeenth Century Painting </p> <p style="MARGIN: 0px">The Utrecht Followers of Caravaggio </p> <p style="MARGIN: 0px">Frans Hals </p> <p style="MARGIN: 0px">Judith Leyster </p> <p style="MARGIN: 0px">Rembrandt </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 7: Picturing Holland in the Dutch Republic’s Golden Age </p> <p style="MARGIN: 0px">Pioneers of Dutch Genre </p> <p style="MARGIN: 0px">Manners and Morals at Mid Century </p> <p style="MARGIN: 0px">Johannes Vermeer </p> <p style="MARGIN: 0px">Mirror of Nature: Landscape </p> <p style="MARGIN: 0px">Visions of the Sea </p> <p style="MARGIN: 0px">Public and Private Spaces: Architectural Painting </p> <p style="MARGIN: 0px">Depicting Prosperity: Still Life </p> <p style="MARGIN: 0px">The Decline of the Golden Age </p> <p style="MARGIN: 0px">Chapter 8: Flemish Baroque Painting in the Age of Rubens </p> <p style="MARGIN: 0px">Peter Paul Rubens </p> <p style="MARGIN: 0px">Anthony van Dyck </p> <p style="MARGIN: 0px">Jacob Jordaens </p> <p style="MARGIN: 0px">Still Life: Clara Peeters and Frans Snyders </p> <p style="MARGIN: 0px">Genre Scenes: Adriaen Brouwer and David Teniers the Younger </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 9: French Painting and Prints of the Seventeenth Century</p> <p style="MARGIN: 0px">Jacques Bellange </p> <p style="MARGIN: 0px">Jacques Callot </p> <p style="MARGIN: 0px">Valentin de Boulogne </p> <p style="MARGIN: 0px">Georges de La Tour </p> <p style="MARGIN: 0px">Simon Vouet </p> <p style="MARGIN: 0px">The Le Nain Brothers </p> <p style="MARGIN: 0px">Philippe de Champaigne </p> <p style="MARGIN: 0px">Louise Moillon </p> <p style="MARGIN: 0px">Nicolas Poussin </p> <p style="MARGIN: 0px">Claude Lorrain </p> <p style="MARGIN: 0px">Charles Le Brun and the French Academy </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 10: Baroque Architecture in France and England </p> <p style="MARGIN: 0px">France </p> <p style="MARGIN: 0px">The Place Royale </p> <p style="MARGIN: 0px">The Hôtel </p> <p style="MARGIN: 0px">The Château </p> <p style="MARGIN: 0px">The Palace </p> <p style="MARGIN: 0px">The Church </p> <p style="MARGIN: 0px">England and Inigo Jones </p> <p style="MARGIN: 0px">Christopher Wren </p> <p style="MARGIN: 0px">The Radiance of the Sun King <br>Architectural Models </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 11: French Painting from the Regency to the Reign of Louis XV </p> <p style="MARGIN: 0px">Rubenism vs. Poussinism </p> <p style="MARGIN: 0px">Hyacinthe Rigaud and Nicolas de Largillierre </p> <p style="MARGIN: 0px">Antoine Watteau </p> <p style="MARGIN: 0px">Followers of Watteau </p> <p style="MARGIN: 0px">François Boucher </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 12: The Public and the Private in French Painting of the Enlightenment </p> <p style="MARGIN: 0px">Face-Painting at Mid Century </p> <p style="MARGIN: 0px">Jean Siméon Chardin </p> <p style="MARGIN: 0px">Jean-Baptiste Greuze </p> <p style="MARGIN: 0px">Jean-Honoré Fragonard </p> <p style="MARGIN: 0px">Elisabeth-Louise Vigée-Le Brun </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 13: French Sculpture and Architecture in the Eighteenth Century </p> <p style="MARGIN: 0px">Antoine Coysevox </p> <p style="MARGIN: 0px">Guillaume Coustou I </p> <p style="MARGIN: 0px">Etienne-Maurice Falconet </p> <p style="MARGIN: 0px">Jean-Baptiste Pigalle </p> <p style="MARGIN: 0px">Architecture Perfected </p> <p style="MARGIN: 0px">The Château </p> <p style="MARGIN: 0px">The Garden Palace </p> <p style="MARGIN: 0px">The Hôtel </p> <p style="MARGIN: 0px">New Projects for Versailles </p> <p style="MARGIN: 0px">The Rococo Interior </p> <p style="MARGIN: 0px">The Place Royale </p> <p style="MARGIN: 0px">The English Landscape Garden in France </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 14: The Georgian Panorama in British Painting and Prints </p> <p style="MARGIN: 0px">William Hogarth </p> <p style="MARGIN: 0px">Thomas Gainsborough </p> <p style="MARGIN: 0px">Richard Wilson </p> <p style="MARGIN: 0px">Joseph Wright of Derby </p> <p style="MARGIN: 0px">Sir Joshua Reynolds </p> <p style="MARGIN: 0px">Constructing Social Identities: George Romney </p> <p style="MARGIN: 0px">George Stubbs </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 15: Architecture and Gardens in Eighteenth-Century</p> <p style="MARGIN: 0px">Churches </p> <p style="MARGIN: 0px">The Baroque Country House </p> <p style="MARGIN: 0px">The Palladian Revival </p> <p style="MARGIN: 0px">The Gothic Revival </p> <p style="MARGIN: 0px">City Planning </p> <p style="MARGIN: 0px">The English Landscape Garden </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px">Chapter 16: Eighteenth-Century Austria, Germany, and Italy </p> <p style="MARGIN: 0px">Architecture in Austria </p> <p style="MARGIN: 0px">Johann Bernhard Fischer von Erlach </p> <p style="MARGIN: 0px">Jakob Prandtauer </p> <p style="MARGIN: 0px">Architecture in Germany </p> <p style="MARGIN: 0px">Balthasar Neumann </p> <p style="MARGIN: 0px">François de Cuvilliés </p> <p style="MARGIN: 0px">Augustus the Strong </p> <p style="MARGIN: 0px">German Churches: Neumann and the Zimmermann</p> <p style="MARGIN: 0px">The Arts in Rome </p> <p style="MARGIN: 0px">Benedetto Luti </p> <p style="MARGIN: 0px">Corrado Giaquinto </p> <p style="MARGIN: 0px">Mariano Rossi </p> <p style="MARGIN: 0px">Giovanni Paolo Panini and Giovanni Battista Piranesi </p> <p style="MARGIN: 0px">Architecture in Rome </p> <p style="MARGIN: 0px">Architecture in Turin </p> <p style="MARGIN: 0px">Painting in Venice </p> <p style="MARGIN: 0px">Canaletto </p> <p style="MARGIN: 0px">Francesco Guardi </p> <p style="MARGIN: 0px">Roasalba Carriera </p> <p style="MARGIN: 0px">Pietro Longhi </p> <p style="MARGIN: 0px">Giovanni Battista Piazetta </p> <p style="MARGIN: 0px">Giambattista Tiepolo </p> <p style="MARGIN: 0px"> </p> <p style="MARGIN: 0px"></p>
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