Hemingway Repossessed

Preface by Kenneth Rosen Hemingway and Art In Our Time and Picasso by Elizabeth Dewberry Vaughn Le Torero and "The Undefeated": Hemingway's Foray into Analytical Cubism by James Plath Artists in Their Art: Hemingway and Velasquez--The Shared Worlds of For Whom the Bell Tolls and Las Meninas by Robin Gajdusek Formal Analogies in the Texts and Paintings of Ernest Hemingway and Paul Cezanne by Thomas Hermann Our Old Man Repossessing Papa: A Narcissistic Meditation by Mark Spilka Hemingway's Influence on Sportswriting by Larry Merchant Myth-making, Androgyny and the Creative Process, Answering Mark Spilka by Donald Junkins On Spanish Earth "The Undefeated" and Sangre y Arena: Hemingway's Mano a Mano with Blasco Ibanez by Susan F. Beegel Reality and Invention in For Whom the Bell Tolls, or Reflections on the Nature of the Historical Novel by Allen Josephs Nostalgia, Its Stylistics and Politics in Hemingway's For Whom the Bell Tolls by Erik Nakjavani "You Sure This Thing Has Trout in It?" Fishing and Fabrication, Omission and "Verification" in The Sun Also Rises by H.R. Stoneback Getting It Right Reading the Names Right by Miriam B. Mandel Who Wrote Hemingway's In Our Time? by Paul Smith Beginning with "Nothing" by Frank Scafella Opiates, Laughter, and the Radio's Sweet Lies: Community and Isolation in Hemingway's "The Gambler, the Nun, and the Radio" by Ann L. Putnam Hemingway on Sexual Otherness: What's Really Funny in The Sun Also Rises by Wolfgang E.H. Rudat Selected Bibliography Index