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The Universal Shakespeare Creed

Readings in Shakespearean Religious, Spiritual, Ethical and Social Practice

Paperback Engels 2026 1e druk 9781032982946
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Samenvatting

The Universal Shakespeare Creed gathers together 11 essays by an international team of leading scholars addressing crucial aspects of Shakespeare’s transnational and transcultural religious afterlives.

From the very beginnings of Shakespeare criticism, religion and spirituality are argued to have been vital in shaping attitudes towards Shakespeare’s works and in constructing the playwright as an author with a universal appeal and an ethical agenda of universal application. Various of his works are shown to be deeply embedded in the universal store of myth and wisdom literatures and therefore adaptable to the key teachings and ethical practices of some of the world’s major faiths. What is more, far from being merely spiritual, the universal Shakespeare creed is shown to be a force for positive action in society, raising awareness about issues of race, class and gender and, through adaptation and performance, contributing to building community and a juster society.

Innovative and wide-ranging, The Universal Shakespeare Creed will be essential reading for all those with an interest in the reception of Shakespeare and, more broadly, in intersections between literature, spirituality and religion.

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Inhoudsopgave

Acknowledgements

List of Contributors

Note on texts

Introduction. Marta Cerezo Moreno and Jonathan P. A. Sell

Part One. ‘In the beginning’

Chapter One. Establishing the Shakespeare Creed: Religion, Class and Enlightenment bardolatry. Jonathan P. A. Sell

Chapter Two. ‘A radiant light of glory round’: Stratford-upon-Avon Shakespeare Festivities, Religion and Universality (1830-1850). Marta Cerezo Moreno

Chapter Three. Religion and Tolerance in Danish and Swedish Shakespeare Criticism, 1880–1960. Per Sivefors

Part Two. ‘Speaking in our tongues’

Chapter Four. Isis and Osiris: Antony and Cleopatra. Graham Holderness

Chapter Five. The Deceitful Brahman: The Veil of Maya in The Tempest. Antonio Ballesteros

Chapter Six. Shakespeare’s Bodhisattvas: A Buddhist Approach to Spiritual Disease, Medicine and Caregiving in King Lear. Marguerite Tassi

Chapter Seven. The Mustard Seed and the Dionysian in A Midsummer’s Night Dream. Unhae Park Langis

Part Three. ‘Go ye into all the world’

Chapter Eight. ‘Civic Shakespeare’: Intermission Youth Theatre, Faith, and Social Commitment. Isabel Guerrero

Chapter Nine. Facing the Storm with Love: A Church Liturgy based on Shakespeare’s play The Tempest. Paul Fiddes

Chapter Ten. ‘Something pretty in words that fly’: Psalmic Performances from Shakespearean Romance to Rhiannon Giddens’s Omar. Julia Reinhart Lupton

Chapter Eleven. The Shakespearean and Biblical Intertexts of Emily St. John Mandel’s Station Eleven. Luis Javier Conejero-Magro

Selected Index

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