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The Appropriation of Ukraine's Cultural Heritage as a Legitimisation of Russia's Imperial Aspirations

Gebonden Engels 2026 1e druk 9781041365341
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In the face of Russian military aggression in the Donbas and after the annexation of Crimea (2014) and in view of the full-scale war in Ukraine that commenced in 2022, the Russian appropriation of Ukraine’s cultural heritage has become particularly important, as it should be remembered that Russia's attack not only has a military dimension but is also aimed at Ukrainian national and historical heritage. The appropriation of Ukraine's cultural heritage in the context of the legitimization of Russia's imperial aspirations has become a research interest for an international and interdisciplinary group of researchers, resulting in the co-authored monograph. The monograph was preceded by a series of research seminars conducted at the Jagiellonian University (Kraków, Poland) with the participation of researchers at the National University Kyiv-Mohyla Academy (Kyjiv, Ukraine). The Kyiv-Mohyla Academy is unencumbered by Soviet heritage and continues the traditions of the famous Kyiv Academy (17th century), remaining a respected and prestigious scientific centre. This monograph was produced in collaboration with international experts representing various fields and contains analysis of specific examples of the appropriation of Ukraine's cultural heritage, its use by Russia for propaganda purposes, and Ukraine's attempts to reclaim the narrative about this heritage.

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1: Ukraine’s Cultural Heritage and the Problem of Appropriation: An Introduction, Alicja Z. Nowak and Aniela Radecka 2: Kyivan Metropolitanate and Moscow Patriarchate – On the History of Cultural-Administrative Appropriation, Marzanna Kuczyńska and Alicja Z. Nowak 3: Was the Pereiaslav Agreement (1654) the Result of Bohdan Khmelnytsky's “Orthodox Choice”, Tetiana Grygorieva 4: Appropriation of the Orthodox faith: discussion on transubstantiation between Kyivan and Muscovite ecclesiastics in the 17th century, Nataliia Sinkevych 5: Holy Monks of the Kyiv-Pechersk Lavra in the Imperial Service, Maksym Yaremenko 6: Hryhoriy Skovoroda in the History of the Russian Philosophy – an Imperial Perspective, Denys Pilipowicz 7: Appropriation of Kyiv’s Cultural Heritage by the Russian Empire in the Late Eighteenth to Mid-Nineteenth Century: The Case of Travel Literature, Kateryna Dysa 8: The Archival Legacy of Pantelemon Yuriev. Fr. Jan Polański's Letters, Olga Kich-Masłej 9: The “Reunification” of Greek Catholics in Transcarpathia. Why the Soviet Assimilatory Action Failed?, Natalia Shlikhta 10: Appropriation of Cultural Heritage Through the Falsification of its Creators’ Nationality. Burliuk, Malevich, Ekster, Agnieszka Gronek 11: Aspects of the National Cultural Identity of Ukrainian Cinema as exemplified by Kira Muratova’s Creative Output, Mariia Lihus 12: Constructing Narratives About Donbas: Identity, Society, Culture.The Role of Non-Governmental Organizations, Aniela Radecka 13: The Resilience Legacy and Symbolism of Bohdan Solchanyk, Victoria Amelina and Volodymyr Vakulenko for Ukrainian Culture, Iryna Polets-Gerus Appendix: “UCulture”: A Professional Project about Ukrainian Culture, Larysa Dovga and Mariia Lihus. Selected Bibliography

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          The Appropriation of Ukraine's Cultural Heritage as a Legitimisation of Russia's Imperial Aspirations