Pseudo-Dionysius and Christian Visual Culture, c.500–900

Chapter One – Introduction, Francesca Dell’Acqua and Ernesto Sergio Mainoldi.- Chapter Two – Reassessing the Historico–Doctrinal Background of Pseudo-Dionysius’ Image Theory, Ernesto Sergio Mainoldi.- Chapter Three – Eikon and Symbolon in the Corpus Dionysiacum: Scriptures and Sacraments as Aesthetic Categories, Angelo Tavolaro.- Chapter Four – Pseudo-Dionysius and the Importance of Sensible Things, Filip Ivanović.- Chapter Five – The Relation of Monks to Clergy in the Dionysian Hierarchy and its Byzantine Reception, Monk Evgenios Iverites.- Chapter Six – Images of Holy Men in Late Antiquity in Light of Pseudo-Dionysius the Areopagite: Framing Spiritual Ascent and Visualising Spiritual Hierarchy, Katherine Marsengill.- Chapter Seven – Pseudo-Dionysius and the Staging of Divine Order in Sixth-Century Architecture, Vladimir Ivanovici.- Chapter Eight – ‘Visual Thinking’ and the Influence of Pseudo-Dionysius the Areopagite in the Homilies and Hymns of Andrew of Crete,Mary B. Cunningham.- Chapter Nine – Pseudo-Dionysius and the Dormition of the Virgin Platytéra (‘Wider than Heaven’), Francesca Dell’Acqua.- Chapter Ten – Pseudo-Dionysius and the Post-Iconoclastic Mosaic Programme of Hagia Sophia, Natalia Teteriatnikov.