Margaret Foster,
Leslie Kurke,
Naomi Weiss
Genre in Archaic and Classical Greek Poetry: Theories and Models
Studies in Archaic and Classical Greek Song, Vol. 4
Gebonden Engels 2019 9789004411425Levertijd ongeveer 5 werkdagen
Gratis verzonden
Samenvatting
Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho’s songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.
Specificaties
ISBN13:9789004411425
Taal:Engels
Bindwijze:Gebonden
Aantal pagina's:410
Uitgever:Brill
Serie:Mnemosyne, Supplements
Lezersrecensies
Wees de eerste die een lezersrecensie schrijft!
Inhoudsopgave
Preface and Acknowledgments
Note on Abbreviations, Texts, and Translations
List of Figures and Tables
Notes on Contributors
Introduction
Margaret Foster, Leslie Kurke and Naomi Weiss
Part 1 Keynote Address
1 Genre, Occasion, and Choral Mimesis Revisited, with Special Reference to the “Newest Sappho”
Gregory Nagy
Part 2 Genre, Generification, and Performance
2 Linus: The Rise and Fall of Lyric Genres
Andrew Ford
3 Sappho’s Parachoral Monody
Timothy Power
4 The Speaking Persona: Ancient Commentators on Choral Performance
Francesca Schironi
Part 3 Genre Mixing
5 Chorus Lines: Catalogues and Choruses in Archaic and Early Classical Greek Hexameter Poetry and Choral Lyric
Deborah Steiner
6 Generic Hybridity in Athenian Tragedy
Naomi Weiss
7 Athens and Apolline Polyphony in Bacchylides’ Ode 16
Margaret Foster
Part 4 Affect, Materiality, and the Body: The Somatics of Genre
8 Is Korybantic Performance a (Lyric) Genre?
Mark Griffith
9 Iambic Horror: Shivers and Brokenness in Archilochus and Hipponax
Mario Telò
10 Experiencing Elegy: Materiality and Visuality in the Ambracian Polyandrion
Seth Estrin
11 Pindar, Paean 6: Genre as Embodied Cultural Knowledge
Sarah Olsen
Bibliography
Index Locorum
General Index
Note on Abbreviations, Texts, and Translations
List of Figures and Tables
Notes on Contributors
Introduction
Margaret Foster, Leslie Kurke and Naomi Weiss
Part 1 Keynote Address
1 Genre, Occasion, and Choral Mimesis Revisited, with Special Reference to the “Newest Sappho”
Gregory Nagy
Part 2 Genre, Generification, and Performance
2 Linus: The Rise and Fall of Lyric Genres
Andrew Ford
3 Sappho’s Parachoral Monody
Timothy Power
4 The Speaking Persona: Ancient Commentators on Choral Performance
Francesca Schironi
Part 3 Genre Mixing
5 Chorus Lines: Catalogues and Choruses in Archaic and Early Classical Greek Hexameter Poetry and Choral Lyric
Deborah Steiner
6 Generic Hybridity in Athenian Tragedy
Naomi Weiss
7 Athens and Apolline Polyphony in Bacchylides’ Ode 16
Margaret Foster
Part 4 Affect, Materiality, and the Body: The Somatics of Genre
8 Is Korybantic Performance a (Lyric) Genre?
Mark Griffith
9 Iambic Horror: Shivers and Brokenness in Archilochus and Hipponax
Mario Telò
10 Experiencing Elegy: Materiality and Visuality in the Ambracian Polyandrion
Seth Estrin
11 Pindar, Paean 6: Genre as Embodied Cultural Knowledge
Sarah Olsen
Bibliography
Index Locorum
General Index
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