Tensions in World Literature

<div><div><div>1 Introduction: What Is World Literature?&nbsp;</div><div><div>2 Comparative Literature and World Literature: From Goethe to Globalization</div><div>3 The Location of World Literature<br></div><div>4 Frames for World Literature<br></div><div><div>5 World Literature and the Encounter with the Other: A Means or a Menace?</div></div><div><div>6 Some Remarks on the Concept of World Literature After 2000</div></div><div>7 World Literature, Canon, and Literary Criticism<br></div><div><div>8 Four Perspectives on World Literature: Reader, Producer, Text and System</div></div><div>9 A World of Translation<br></div><div><div>10 World Literature in Graphic Novels and Graphic Novels as World Literature</div></div><div><div>11 Experiments in Cultural Connectivity: Early Twentieth-Century German-Jewish Thought Meets the Daodejing</div></div><div><div>12 Ideographic Myth and Misconceptions about Chinese Poetic Art</div></div><div>13 Chinese Literature as Part of World Literature<br></div><div><div>14 How to Become World Literature: Chinese Literature’s Aspiration and Way to “Step into the World”</div></div><div>15 World Literature from and in China<br></div><div>Dialogue Section A: World Literature and Nation Building<br></div><div><div>Dialogue Section B: The Interactions between the Local and the Universal: A Few Thoughts after Listening to the Talk of Professor Damrosch</div></div><div><div>Dialogue Section C: World Literature: Significance, Challenge, and Future</div></div><div><div>Dialogue Section D: Who Decides the “United Nations of Great Books”: Inspired by Prof. Zhang’s Speech</div></div><div>Dialogue Section E: Response<br></div></div></div></div>