The Sexual Subject brings together writing on sexuality which has appeared in ^Screen> over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has had a profound influence on the development of the academic study of film and on alternative film and video practice.  Meer

The Sexual Subject brings together writing on sexuality which has appeared in ^Screen> over the past two decades. It reflects the journal's continuing engagement with questions of sexuality and signification in the cinema, an engagement which has had a profound influence on the development of the academic study of film and on alternative film and video practice.  Meer

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever.  Meer

At a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever.  Meer

In this series of provocative essays on culture, art, and film, former Screen editor Mandy Merck explores the paradoxes of sexual representation. Whether writing on romantic fiction or hardcore pornography, on robots or sex goddesses, Radclyffe Hall or the Marquis de Sade, she finds the perversions and deviances.  Meer

In this series of provocative essays on culture, art, and film, former Screen editor Mandy Merck explores the paradoxes of sexual representation. Whether writing on romantic fiction or hardcore pornography, on robots or sex goddesses, Radclyffe Hall or the Marquis de Sade, she finds the perversions and deviances.  Meer