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Patterns of Exposition
Robert Schwegler Meer over de auteurs
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Patterns of Exposition

 Paperback Engels 2012 9780205220458
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Samenvatting

Incorporating readings representing new voices and styles in nonfiction that will appeal to contemporary readers, this classic composition reader continues to provide engaging, instructive models of the rhetorical modes.

 

A wealth of new selections appear in this respected modes-based reader, continuing its tradition of offering high-quality, accessible readings, both classic and with a contemporary “edge” and style. The readings encourage students to take a stand on questions of culture, identity, and value in college communities, in the workplace, and in society. Thorough introductions to each rhetorical pattern, numerous exercises, and sample student essays throughout the book emphasize practical concrete writing strategies. A thematic table of contents and table of “Essay Pairs”—which groups essays particularly well-suited for study and discussion—make this book versatile and convenient for instructors to adapt for their classes.

Specificaties

ISBN13:9780205220458
Taal:Engels
Bindwijze:Paperback
Uitgever:Pearson Education
Hoofdrubriek:Woordenboeken en taal, Woordenboeken en taal

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Inhoudsopgave

<p style="MARGIN: 0px">** denotes new to this edition</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">1. Reading for Writers </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">2. Ways of Writing </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Discovering</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Planning</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Drafting</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Revising</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">3. Example</p> <p style="MARGIN: 0px">Andy Rooney, In and Of Ourselves We Trust&nbsp; </p> <p style="MARGIN: 0px">Wil Haygood, Underground Dads </p> <p style="MARGIN: 0px">Mary Karr, Dysfunctional Nation </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Characterizing Behavior</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Brent Staples, Just Walk On By</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jonah Lehrer, The Uses of Reason </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">4. Classification </p> <p style="MARGIN: 0px">** William Zinsser, College Pressures</p> <p style="MARGIN: 0px">** Amy Tan, Mother Tongue</p> <p style="MARGIN: 0px">Michael Ventura, Don’t Even Think About It! </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Sorting Out How We Communicate</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Deborah Tannen, But What Do You Mean?</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Stephanie Ericsson, The Ways We Lie</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </p> <p style="MARGIN: 0px">5. Comparison</p> <p style="MARGIN: 0px">** Rachel Carson, Fable for Tomorrow</p> <p style="MARGIN: 0px">Mark Twain, Two Ways of Seeing a River </p> <p style="MARGIN: 0px">Bruce Catton, Grant and Lee, A Study in Contrasts </p> <p style="MARGIN: 0px">Bill McKibben, Old Macdonald Had a Farmer’s Market</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Evaluating Traditions</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;** Bharati Mukherhee, Two Ways to Belong in America </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;** WilliamOuchi, Japanese and American Workers </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">6. Analogy</p> <p style="MARGIN: 0px">Alice Walker, Am I Blue? </p> <p style="MARGIN: 0px">** Robert Benchley, Advice to Writers </p> <p style="MARGIN: 0px">** Virginia Woolf, The Death of the Moth </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Perceiving Likeness in Differences </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Henry David Thoreau, The Battle &nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Anne Morrow Lindbergh, Oyster Bed</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Visual Text (Advertisement) TK</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">7. Process Analysis</p> <p style="MARGIN: 0px">** Amy Sutherland, What Shamu Taught Me About a Happy Marriage</p> <p style="MARGIN: 0px">** Barbara Kingsolver, Six Impossible Things Before Breakfast</p> <p style="MARGIN: 0px">Ian Frazier, How to Operate the Shower Curtain&nbsp; </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Demystifying Everyday Rituals</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;** Stanley Fish: Getting Coffee Is Hard to Do </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;** Ernest Hemingway, Camping Out </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">8. Cause-Effect</p> <p style="MARGIN: 0px">** Michael Jernigan, Living the Dream </p> <p style="MARGIN: 0px">** Norman Cousins, Who Killed Benny Paret? </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Fathoming Consequences</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Cullen Murphy, Hello, Darkness </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Verlyn Klinkenborg, Our Vanishing Night </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">9. Definition</p> <p style="MARGIN: 0px">John Berendt, The Hoax </p> <p style="MARGIN: 0px">** Jhumpa Lahiri, My Two Lives </p> <p style="MARGIN: 0px">Anne Fadiman, Coffee</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Clarifying Values and Roles</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Stephen L. Carter, The Insufficiency of Honesty</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;** Mary Pipher, Beliefs about Families </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</p> <p style="MARGIN: 0px">10. Description</p> <p style="MARGIN: 0px">** Suzanne Berne, Ground Zero</p> <p style="MARGIN: 0px">George Simpson, The War Room at Bellevue&nbsp; </p> <p style="MARGIN: 0px">Daniel Thomas Cook, Children of the Brand&nbsp; </p> <p style="MARGIN: 0px">&nbsp;&nbsp; </p> <p style="MARGIN: 0px">Issues and Ideas: Expressing Memories</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Donna Tartt, A Garden Party </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;E. B. White, Once More to the Lake&nbsp; </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">11. Narration</p> <p style="MARGIN: 0px">Geoffrey Canada, Pain</p> <p style="MARGIN: 0px">** Langston Hughes, Salvation</p> <p style="MARGIN: 0px">** Sandra Cisneros, Only Daughter</p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Dramatizing Ethical Dilemmas</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Martin Gansberg, Thirty-Eight Who Saw Murder Didn’t Call the Police </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** George Orwell, Shooting an Elephant</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </p> <p style="MARGIN: 0px">12. Induction and Deduction </p> <p style="MARGIN: 0px">Nancy Friday, The Age of Beauty </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">Issues and Ideas: Digital Realities</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; J. C. Herz, Superhero Sushi </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">12. Argument</p> <p style="MARGIN: 0px">Issues and Ideas: Persuading an Audience</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Christopher B. Daly, How the Lawyers Stole Winter</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Stephanie Mills, &nbsp;Could You Live with Less?</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Anna Quindlen, The Drug That Pretends It Isn’t </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Andrew O’Hehir, The Myth of Media Violence </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Al Gore, The Time to Act Is Now</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ** Mark Twain, The Damned Human Race</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Elizabeth Svoboda, “I Am Not a Puzzle, I Am a Person”</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Margaret Atwood, Pornography </p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sarah Min, Language Lessons</p> <p style="MARGIN: 0px">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Martin Luther King, Jr., &nbsp;Letter from Birmingham Jail </p> <p style="MARGIN: 0px">&nbsp;</p> <p style="MARGIN: 0px">&nbsp;14. Further Readings</p> <p style="MARGIN: 0px">Jason Kelly, The Great TV Debate </p> <p style="MARGIN: 0px">Leslie Marmon Silko, Yellow Woman and a Beauty of the Spirit</p> <p style="MARGIN: 0px">George Orwell, A Hanging</p> <p style="MARGIN: 0px">Jean E. Kilbourne, Beauty . . . And the Beast of Advertising</p> <p style="MARGIN: 0px">&nbsp;</p>

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