Performing Transversally

Foreword: Seeing Across Shakespeare; J.Reinelt Transversal Performance: Shakespace, the September 11th Attacks, and the Critical Future; B.Reynolds The Making of Authorships: Transversal Navigation in the Wake of Hamlet, Robert Wilson, Wolfgang Wiens, and Shakespace; D.J.Hopkins & B.Reynolds Venetian Ideology or Transversal Power?: Iago's Motives and the Means by which Othello Falls; J.Fitzpatrick & B.Reynolds (with additional dialogue by Bryan Reynolds and Janna Segal) 'What is the city but the people?': Transversal Performance and Radical Politics in Shakespeare's Coriolanus and Brecht's Coriolan; B.Reynolds Untimely Ripped: Mediating Witchcraft in Polanski and Shakespeare; B.Reynolds Nudge, Nudge, Wink, Wink, Know What I Mean, Know What I Mean?: A Theoretical Approach to Performance for a Post-Cinema Shakespeare; D.J.Hopkins, C.Ingman, & B.Reynolds 'A little touch of Harry in the night': Translucency and Projective Transversality in the Sexual and National Politics of Henry V; D.Hedrick & B.Reynolds Inspriteful Ariels: Transversal Tempests; B.Reynolds & A.Thompson 'For such a sight will blind a father's eye': The Spectacle of Suffering in Taymor's Titus; C.Lehmann, B.Reynolds, & L.Starks Friend or Foe, Shakespeare's Ends is the Means: Revising Early Modern English Iconography, Elisabetta Points Toward the Critical Future; B.Reynolds and J.Segal Afterword: Walk Like An Egyptian; J.Gil Harris Appendix: Transversal Poetics: I.E.Mode Notes on Collaborators