,

Researching Live Music

Gigs, Tours, Concerts and Festivals

Paperback Engels 2021 1e druk 9780367405007
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Samenvatting

Researching Live Music offers an important contribution to the emergent field of live music studies.

Featuring paradigmatic case studies, this book is split into four parts, first addressing perspectives associated with production, then promotion and consumption, and finally policy. The contributors to the book draw on a range of methodological and theoretical positions to provide a critical resource that casts new light on live music processes and shows how live music events have become central to raising and discussing broader social and cultural issues. Their case studies expand our knowledge of how live music events work and extend beyond the familiar contexts of the United States and United Kingdom to include examples drawn from Argentina, Australia, France, Jamaica, Japan, New Zealand, Switzerland, and Poland.

Researching Live Music is the first comprehensive review of the different ways in which live music can be studied as an interdisciplinary field, including innovative approaches to the study of historic and contemporary live music events. It represents a crucial reading for professionals, students, and researchers working in all aspects of live music.

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List of contributors

Acknowledgments

Live Music Studies in Perspective

Chris Anderton and Sergio Pisfil

PART I: Promotion
  1. Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
  2. Steve Waksman
  3. As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
  4. Danny Hagan
  5. Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
  6. Pat O’Grady
  7. Showcase Festivals as a Gateway to Foreign Markets
  8. Patryk Galuszka
  9. Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
  10. Chris Anderton PART II: Production
  11. Live Sound Matters
  12. Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
  13. Mobile Spectacle: Es Devlin’s Pandemonium Tour Design
  14. Glyn Davis
  15. Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour’s Supply Chain
  16. Gabrielle Kielich
  17. Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
  18. Kimi Kärki Part III: Consumption
  19. Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
  20. Loïc Riom
  21. Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
  22. Kenny Forbes
  23. Live … as You’ve Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
  24. Andy Bennett
  25. Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
  26. Stephen Loy Part IV: Policy
  27. Music Cities, or Cities of Music?
  28. Christina Ballico and Dave Carter
  29. State of Play: Tensions and Interventions in Live Music Policy
  30. Adam Behr
  31. "Por Más Músicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
  32. Sarah Lahasky
  33. Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy


Gérôme Guibert, Michaël Spanu, and Catherine Rudent

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