Realizations

*FrontMatter, pg. i*CONTENTS, pg. vii*ILLUSTRATIONS, pg. ix*A NOTE AND SOME ACKNOWLEDGMENTS, pg. xvii*A MATTER OF STYLE, pg. 3*1. THE MOMENT'S STORY: PAINTING, pg. 17*2. ILLUSTRATION AND REALIZATION, pg. 29*3. SPEAKING PICTURES: THE DRAMA, pg. 38*4. TELLING SCENES: THE NOVEL, pg. 52*5. THE ART OF EFFECT, pg. 69*6. PREAMBLE TO THE PICTURE PLAY, pg. 91*7. FROM HOGARTH TO CRUIKSHANK, pg. 97*8. THE POLITICS OF DOMESTIC DRAMA: DAVID WILKIE, pg. 142*9. THE MATERIAL SUBLIME: JOHN MARTIN, BYRON, AND 166 TURNER, pg. 166*10. PERILS OF THE DEEP, pg. 189*11. NAPOLEON; OR, HISTORY AS SPECTACLE, pg. 201*12. ROYAL SITUATIONS, pg. 229*13. NOVELS IN EPITOME, pg. 247*14. PRISONERS BASE, pg. 283*15. DICKENS' ROMAN DAUGHTER, pg. 302*16. THE PARADOX OF THE COMEDIAN: THACKERAY AND GOETHE, pg. 322*17. PRE-RAPHAELITE DRAMA, pg. 351*18. W. P. FRITH AND THE SHAPE OF MODERN LIFE, pg. 373*19. IRVING AND THE ARTISTS, pg. 402*THE LAST WORD, pg. 433*BIBLIOGRAPHY, pg. 439*INDEX, pg. 455