Disintegration in Frames

@fmct:Contents @toc4:Acknowledgments XXX @toc2:Introduction 1 @toc2:1. The Black Wave and Marxist Revisionism 000 @toc3:New Yugoslav Film 000 Sex and the Socialist Revolution 000 Montage: Praxis 000 The Raw Image 000 Tito and Jesus 000 @toc2:2. Yugoslavism Without Limit 000 @toc3:New Primitivism 000 Sarajevo Surrealists 000 "Sucking the Wooden Pole" 000 From the War-Torn Sarajevo 000 @toc2:3. Aesthetics of Nationalist Pleasure 000 @toc3:The Father 000 An Aesthetic of the Genitofugal Libido 000 Yugoslavism with (Ethnocentric) Reserve 000 The Question of Responsibility 000 Enjoyment as Danse Macabre 000 @toc2:4. Hatred Explained, Hatred Legitimized 000 @toc3:"Inevitable Wars" 000 War Veteran as Filmmaker 000 Collective Belief 000 Croats as Serb Extremists 000 Transvestites, Punks, and (Once Again) New Primitivs 000 Joke, and Its Relation to War 000 @toc2:5. Of Ethnic Enemy as Acousmetre 000 @toc3:Politics and Noise 000 Ogre in a Boar's Head 000 Contra Essentialism 000 @toc2:Post Scriptum 000 @toc4:Notes 000 Bibliography 000 Index 000