Regenerating Romanticism

Botany, Sensibility, and Originality in British Literature, 1750–1830

Paperback Engels 2023 9780813949413
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Samenvatting

Within key texts of Romanticic-era aesthetics, William Wordsworth, S. T. Coleridge, and other writers and theorists pointed to the poet, naturalist, and physician Erasmus Darwin as exemplifying a lack of originality and sensibility in the period’s scientific literature--the very qualities that such literature had actually sought to achieve. The success of this strawman tactic in establishing Romantic-era principles resulted in the historical devaluation of numerous other, especially female, imaginative authors, creating misunderstandings about the aesthetic intentions of the period’s scientific literature that continue to hinder and mislead scholars even today.

Regenerating Romanticism demonstrates that such strategies enabled some literary critics and arbiters of Romantic-era aesthetics to portray literature and science as locked in competition with one another while also establishing standards for the literary canon that mirrored developing ideas of scientific or biological sexism and racism. With this groundbreaking study, Melissa Bailes renovates understandings of sensibility and its importance to the late eighteenth- and early nineteenth-century movement of scientific literature within genres such as poetry, novels, travel writing, children’s literature that obviously and technically engage with the natural sciences.

Specificaties

ISBN13:9780813949413
Taal:Engels
Bindwijze:Paperback
Aantal pagina's:282
Thema:
2ACB Engels
3MLQ Late 18e eeuw ca. 1750 tot ca. 1799
3MNB Vroeg 19e eeuw ca. 1800 tot ca. 1850

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Inhoudsopgave

  • Acknowledgments
  • Introduction: Revealing the Strawman; or, the Historical Hoodwinking of Romanticism
  • 1. Botany's Seasonal Disorder: Thomson's Progressive Time, Conjectural Histories, and the Backwardness of Spring
  • 2. Linnaeus's Botanical Clocks: Chronobiological Mechanisms in the Scientific Poetry of Erasmus Darwin, Charlotte Smith, and Felicia Hemans
  • 3. Transformations of Gender, Race, and Poetic Sensibility: Maria Riddell's Transatlantic Botany and Biopolitics
  • 4. Cultivated for Consumption: Botany, Colonial Cannibalism, and National/Natural History in Sydney Owenson's The Wild Irish Girl
  • 5. "On the green margin": Place, Sensibility, and Originality in Charlotte Smith's "Flora"
  • 6. Botany and Madness: Anna Seward, Sensibility, and the Floral Insanities of Darwin, Cowper, Wordsworth, and Clare
  • Conclusion: De Quincey, Hazlitt, Wordsworth, and the Critical Fate of Romanticism and Scientific Literature
  • Notes
  • Bibliography

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