A Criminal Hero

Justice, Politics and Media Culture in Eighteenth-Century Naples

Gebonden Engels 2024 1e druk 9781032722252
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In the spring of 1757, the Augustinian friar Leopoldo di San Pasquale was tried in Naples by the hierarchies of his own religious order on charges of financial fraud, heresy, and sexual immorality. He responded by accusing the heads of the convent of subjecting him to a series of inhuman cruelties, claiming to have been "buried alive". While waiting for a final judgment (it was pronounced seven years later, in 1764), the trial of Leopoldo di San Pasquale became a cultural phenomenon unlike any witnessed before in Naples. Cumulatively, reactions to the trial, both during and after it, broke the boundaries separating chronicle and literary fiction, engaged people’s faculties of reason and emotion, and ultimately transformed Leopoldo into a public spectacle—or what we might call today a “celebrity.”

Focusing on the scandalous affair of the "buried alive", this book shows how the governing authorities in Naples managed the development of news and stories around current events through their systems of courts and bureaucracies. It also aims to demonstrate how, just as importantly, consumers played an increasing in the spread of information, as means to political empowerment. The sources analyzed call for a microhistorical analysis, as well as for an interdisciplinary discussion with media studies at its conceptual core.

A Criminal Hero will appeal to students and scholars alike interested in microhistory, cultural history, media history, history of literature, social and political history, with a focus on the eighteenth century.

Specificaties

ISBN13:9781032722252
Taal:Engels
Bindwijze:Gebonden
Aantal pagina's:148
Druk:1

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Inhoudsopgave

Introduction

Chapter 1: “Buried Alive:” Leopoldo and the Style of the Holy Office (1757–1767)

Chapter 2: Justice, Literature, and Public Space

Chapter 3: A Participatory Tale: Verbal, Visual, and Written Forms of Communication

Chapter 4: Literary Communication and the Building of a Political Culture

Conclusion: A Hidden Identity in the Theater of the World

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          A Criminal Hero