Symbol and Metaphor in Opera

This study examines the role of symbolism in the history of opera, with its attendant use of mythology, allegory, metaphor and imagery. From the very first, Orpheus emerges as the patron and guiding light of the genre, with its roots deeply embedded in the Classical heritage. The underpinning of action and meaning in the ancient stories provides a symbolic resonance that imparts so much of the enduring mystic and meaning of this rich genre. The various types and layers of figurative concepts and language are examined throughout the history of opera, from its inception in 1597 to recent contemporary works. The effects of historical-philosophical changes through the centuries and the implications of these on theme and production is closely analyzed. The movement away from tonality and the rise of discordant stage presentation since the advent of the Brechtian Verfremdungstechnik is examined, with reflection on the current meaning, interpretation, and future sustainability of opera.