Living Literature
Sharing Meaning and Experience in the A Level Classroom
Paperback Engels 2026 1e druk 9781041101093Samenvatting
This bold and timely book challenges the recent and worrying decline of English Literature A Level and presents a set of cardinal principles that should underpin successful teaching and learning in the subject.
Expert contributors make the case that English Literature at A Level is in danger of losing touch with its distinctive and living character as it has evolved over time and present a radical, democratic reaffirmation of the core principles of the subject. This reaffirmation underlines a commitment to textual knowledge and personal engagement in Literature.
Living Literature: Sharing Meaning and Experience in the A Level Classroom begins by tracing the history of how English Literature A Level has reached its current state. It then offers 13 fascinating personal reflections on the teaching of individual texts in the context of that situation, 12 from a range of teachers across the country at different points in their careers and 1 from a recent student. It concludes with a joint statement on the rethinking that is essential if the subject is firmly to re-establish its own distinctive place in the curriculum.
Teachers of English Literature at every stage of their careers will find this an essential, urgent read, as will policymakers and researchers.
Specificaties
Lezersrecensies
Inhoudsopgave
1. In Decline: A Level English Literature Today
Richard Jacobs, Sean McEvoy and Martin Nichols
2.The Introductory Course
Richard Jacobs
3. Othello - Teaching A Level for the First Time
A. A. Tyrrell
4. King Lear and the Pleasure of the Chunky Text
Carol Atherton
5. ‘O, brave new world!’ Teaching The Tempest
Joana Soliva
6. ‘Slippery Iced Pavements’ – Teaching and Directing The Duchess of Malfi by John Webster
Cathy O’Neill
7. Finding Paradise Lost
Sammy Wright
8. Paradise Lost: ‘A jangling noise of words unknown’
Camellia Fiore
9. Close Reading
Malcolm Hebron
10. ‘Life’ and History: Teaching Tess of the D’Urbervilles
Sean McEvoy
11. Wide Sargasso Sea: A Provocation to Teach Diverse Texts in Innovative Ways
Barbara Bleiman
12. Even Now, Now, Very Now
Martin Nichols
13. Beckett, Theatre and the A Level Sacred Space
Richard Jacobs
14. Poetry, Pleasure and Pedagogy: The Joy of Meaning-Making
Gary Snapper
15. The Difference between ‘Lie’ and ‘Lay: Giving Students the Right Tools to Think about The Handmaid’s Tale
Alice Jahanpour
16. Conclusion: A Manifesto for Change
The Editors and Contributors
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