Fiction in Documentary Film

A Psychoanalytic Exploration

Paperback Engels 2026 1e druk 9781041108689
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Samenvatting

Fiction in Documentary Film explores the use of fictional elements in contemporary documentaries about personal trauma.

Bruce Eadie argues that the documentary-making process can be a dynamic, therapeutic process, which bears comparison to the clinical practice of psychoanalysis. Traumas rooted in the past are reactivated in on-screen relationships, and fictions bring representational content to otherwise unrepresented aspects of traumatic experience. With reference to Freud, Winnicott, Bion and especially post-Lacanian French psychoanalytic thinkers, Eadie emphasises the theatrical, enacted, bodily and affective aspects of trauma and documentary. This book includes detailed case studies of The Act of Killing (2012) and The Blonds (2003).

Fiction in Documentary Film will be of great interest to academics and students of film, media and television, trauma and cultural studies, and psychoanalysis, as well as those interested in the application of psychoanalytic ideas both inside and outside the clinic.

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Inhoudsopgave

Series preface

About this book

Acknowledgements


Prelude

Introduction

1. Models for the film-within-the-film and interpretive framework

2. The fictionality of fiction and the non-fictionality of non-fiction

3. The peculiar case of trauma and the demand for fiction

4. Cinéma vérité as filmo-therapy and autobiographical filmmaking as self-analysis

5. Joshua Oppenheimer’s The Act of Killing (2012) ‘the play’s the thing’: Third-person documentary or documentary-making as analytic encounter

6. Albertina Carri’s The Blonds (2003) ‘(like an outsider)’: First-person documentary or documentary-making as self-analysis

Conclusion

List of works cited

List of films cited

Index

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          Fiction in Documentary Film