Deleuze and Beckett

<p>Introduction; S. E. Wilmer and Audron? Žukauskait?<br>PART I: DIFFERENCE, BECOMING, MULTIPLICITY<br>1. Ideas in Beckett and Deleuze; Anthony Uhlmann<br>2. Creative Involution: Bergson, Beckett, Deleuze; S. E. Gontarski<br>3. Deleuze and Beckett Towards Becoming-imperceptible; Audron? Žukauskait?<br>PART II: PSYCHOANALYSIS AND SOCIALITY<br>4. Breakdown or Breakthrough? Deleuzoguattarian Schizophrenia and Beckett ' 's Gallery of <br> Moribunds; Ben Keatinge<br>5. ' 'Till ooze again and on ' ': Textual Desire and the Subject ' 's Presence (Beckett, Deleuze, <br> Lacan); Isabelle Ost<br>6. The Test is Company: A Deleuzian Speculation on Beckett ' 's Sociendum; Timothy S. Murphy<br>PART III: SPACE, TIME AND MEMORY <br>7. Different Spaces: Beckett, Deleuze, Bergson; David Addyman<br>8. The Problem of the Any-space-whatever between Deleuze ' 's Cinema and Beckett ' 's Prose; Garin Dowd<br>9. Erecting Monuments to Analogue: Memory and/as Sensation in Atom Egoyan' 's Krapp ' 's Last Tape and Steenbeckett; Colin Gardner<br>PART IV: THEATRE AND PERFORMANCE <br>10. Beckett and Deleuze, Tragic Thinker; Ruben Borg<br>11. A Crystal-theatre: Beckett, Deleuze and Theatre ' 's Crystalline Potential; Daniel Koczy<br>12. ' 'I switch off ' ': Towards a Beckettian Minority of Theatrical Event; Arka Chattopadhyay<br>Index<br></p>