Made in Latin America

Series Foreword. Preface. Introduction: Debating Genre, Class and Identity: Popular Music and Music Scenes from the Latin American World Julio Mendívil and Christian Spencer Espinosa PART I: MUSIC SCENES AND HISTORICAL ISSUES 1. The Carpas Shows in Mexico City (1900-1930): An Ethno-Historical Perspective to a Musical Scene Natalia Bieletto Bueno 2. Nineteenth Century Spanish American Salon in the Light Of Music Scenes Juan Francisco Sans PART II: IMAGINARIES, IDENTITY, AND POLITICS 3. Representing Ayacucho: Music, Politics, Commerce and Identity in an Andean Music Scene in Lima Julio Mendívil 4. Imagining Traditions: Performance and Social Imagination in the Urban Cueca Scene in Santiago de Chile (2000–2010) Christian Spencer Espinosa PART III: CUMBIA, CLASS AND NATION 5. "Cumbia, Nena." Cumbia Scene, Gender and Class in Argentina Pablo Alabarces and Malvina Silba 6. The Ecuadorian Popular Music Scene in Quito: Contesting the National Imaginary Ketty Wong 7. Chicha Music, Urban Subalternity and Cultural Identities in Peru: Construction of the Local and Translocal Scene Arturo Quispe Lázaro PART IV: GLOBAL FLOWS 8. Merengue on the Move: Making Music, Place, and Community in the Típico World Sydney Hutchinson 9. The Geopolitics of Queer Tango: From Buenos Aires to a Community of Translocal Practice María Mercedes Liska 10. Otavalan Transnational Music Making: The Andean Music Scene in Japan Michelle Wibbelsman PART V: BEYOND MUSIC SCENES 11. Voice in Fernando Ortiz: Tools for Rethinking the Notion of Scene Ana M. Ochoa Gautier 12 Epilogue: Reconsidering Music Scenes from a Latin American Perspective Julio Mendívil and Christian Spencer Espinosa AFTERWORD 13. "We live in mixture, and are constantly mixing together our musical expressions." A conversation with Susana Baca, Peruvian singer and former Minister of Culture Julio Mendívil and Christian Spencer Espinosa. List of Contributors