Science, Technology, and Art in International Relations

1. Science, Technology, and Art in International Relations: Origins and Prospects PART I: Foundations of STAIR Scholarship 2. A Role for Phenomenology in IR Scholarship 3. How to Discomfort a Worldview?: Social Sciences, Surveillance Technologies, and Defamiliarization 4. World-Viewing as World-Making: Feminist Technoscience, International Relations, and the Aesthetics of the Anthropocene 5. Emerging Science and Technologies: Diplomacy, Security, and Governance 6. Constructed ‘Cyber’ Realities & International Relations Theory 7. Constructing an Inventive Order of Rights: The Geopolitics of Island-Building in Transnational Waters 8. IR’s Constitutive Absence and the Promise of STAIR PART II: Sites and Demonstrations in STAIR Scholarship 9. "The heart is a pump. Or is it?": The Politics of Biomedicine, the Objectivity of Science, and the Way We Know the World 10. Thinking through the Science, Technology, and Art of Medicine: An Agenda for International Relations 11. Oceanic Artscapes and International Relations 12. From the Globe to the Germ, and Back 13. Science in the International Political Economy 14. Creativity as a Worldview: Power in Collaborative Practices PART III: Reflexivity in STAIR: Social Context and Ethics for the Future 15. Reflexivity and Political Analysis: If Everything is Socially Constructed, How Can we Construct Theories? 16. Art and Agency: Alternative Spaces for Subaltern Voices 17. Cookbooks, Politics, and Culture 18. Human/Nonhuman Assemblages in STAIR: Understanding Distributed Agency in International Relations 19. Resistance to a Worldview