Joseph N. Straus
Introduction to Post-Tonal Theory
Pearson New International Edition
Paperback Engels 2013 9781292040721Levertijd ongeveer 9 werkdagen
Gratis verzonden
Samenvatting
For undergraduate/graduate-level courses in Twentieth-Century Techniques, and Post-Tonal Theory and Analysis taken by music majors.
A primer—rather than a survey—this text offers exceptionally clear, simple explanations of basic theoretical concepts for the post-tonal music of the twentieth century. Emphasising hands-on contact with the music—through playing, singing, listening, and analysing—it provides six chapters on theory, each illustrated with musical examples and fully worked-out analyses, all drawn largely from the “classical” pre-war repertoire by Schoenberg, Stravinsky, Bartok, Berg, and Webern.
Specificaties
Lezersrecensies
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Inhoudsopgave
<p>1. Basic Concepts and Definitions. <br> </p> <p> </p> <div> Analysis 1: Webern, Wie bin ich froh! from Three Songs, Op. 25. Schoenberg, Nacht, from Pierrot Lunaire, Op. 21. </div> <br> <br> 2. Pitch-Class Sets. <br> <p> </p> <div> Analysis 2: Schoenberg, Book of the Hanging Gardens, Op. 15, No. 11. Bartok String Quartet No. 4, first movement. </div> <div> </div> <div> 4. Centricity, Referential Collections, and Triadic Post-Tonality. <br> </div> <p> </p> <div> Analysis 4: Stravinsky, Oedipus Rex, rehearsal nos. 167-70. Bartok, Sonata, first movement. </div> <p><br> 5. Basic Twelve-Tone Operations. <br> </p> <p> </p> <div> Analysis 5: Schoenberg, Suite for Piano, Op. 25, Gavotte. Stravinsky, In Memoriam Dylan Thomas. </div> <br> <br> <div> Appendix 1. List of Set Classes. <br> <br> <br> Appendix 2. Index Vectors. <br> <br> <br> Index. <br> <br> </div> <p> </p>
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