War and Theatrical Innovation

<div>Introduction: Victor Emeljanow; Theatrical Engagements in times of war: an introduction.- 1.&nbsp;Will Shüler; The Greek tragic chorus and its training for war: movement, music, and harmony in theatrical and military performance.- 2.&nbsp;Fraser Stevens; Cultural Camouflage: Acting Identities in World War 2 espionage.- 3.&nbsp;Greer Crawley; The Scenographer as Camoufleur&nbsp;Propaganda Strategies.- 4.&nbsp;Cariad Astles; Puppetry and the Spanish Civil War.- 5.&nbsp;Yuh-Jhung Hwang; &nbsp;Theatrical Propaganda and an Imagined West during the Korean War.- 6.&nbsp;Gabriella Calchi-Novati; The Biopolitics of ISIS’ Iconoclastic Propaganda.- 7.&nbsp;Mayhill C. Fowler; Guns, Money and the Muse: New Patronage in the Russian Civil War, 1919-1922.- 8.&nbsp;Lu Miao and Wei Feng; Manipulating Beijing Opera: criminality and prosperity during Civil War in China c.1930.- 9.&nbsp;Anselm Heinrich; Patronising the National Stage: subsidies and control in wartime Britain.- 10. Veronica Kelly: ‘Make do and mend’: civilian and military audiences in Australian popular entertainment during the Pacific War of 1943-45.</div>