Jones
A Companion to Contemporary Art since 1945
Paperback Engels 2006 9781405135429
Verwachte levertijd ongeveer 9 werkdagen
Samenvatting
A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro–American context.
Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field.
Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture.
Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant–garde, the role of the artist, technology and art, and the society of the spectacle.
Specificaties
Lezersrecensies
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Inhoudsopgave
<p>List of Figures ix</p>
<p>Notes on Contributors xiv</p>
<p>Series Editor s Preface xviii</p>
<p>Acknowledgments xix</p>
<p>Part I: Introduction 1</p>
<p>1 Writing Contemporary Art into History, a Paradox? 3<br />Amelia Jones</p>
<p>Part II: Decades 17<br />1945 60</p>
<p>2 America and its Discontents: Art and Politics 1945 60 19<br />Gavin Butt<br />1960 70</p>
<p>3 The 1960s: A Decade Out–of–Bounds 38<br />Anna Dezeuze<br />1970 80</p>
<p>4 I m sort of sliding around in place . . . ummm . . . : Art in the 1970s 60<br />Sam Gathercole<br />1980 90</p>
<p>5 Pictures and Positions in the 1980s 83<br />Howard Singerman<br />1990 2005</p>
<p>6 1990 2005: In the Clutches of Time 107<br />Henry M. Sayre</p>
<p>Part III: Aesthetics 125<br /><br />Formalism<br />7 Form and Formless 127<br />Caroline A. Jones<br /><br />Art as Idea<br />8 Re–Thinking the Duchamp Effect 145<br />David Hopkins<br /><br />Beauty<br />9 Regarding Beauty 164<br />Margaret Morgan</p>
<p>Part IV: Politics 189<br />Avant–Garde</p>
<p>10 Avant–Garde: A Historiography of a Critical Concept 191<br />Johanne Lamoureux<br /><br />Activism<br />11 Facture for Change: US Activist Art since 1950 212<br />Jennifer González and Adrienne Posner<br /><br />Culture Wars<br />12 The Senators Were Revolted : Homophobia and the Culture Wars 231<br />Jonathan D. Katz<br /><br />Art and Its Public(s)<br />13 Crowds and Connoisseurs: Art and the Public Sphere in America 249<br />Grant Kester</p>
<p>Part V: Identity/Subjectivity 269<br /><br />The Artist<br />14 The Writerly Artist: Beautiful, Boring, and Blue 271<br />Carol Mavor<br /><br />Diaspora<br />15 Diaspora: Multiple Practices, Multiple Worldviews 296<br />Steven Nelson<br /><br />Feminism<br />16 Power and Pleasure: Feminist Art Practice and Theory in the United States and Britain 317<br />Laura Meyer<br /><br />Queer<br />17 Queer Wallpaper 343<br />Jennifer Doyle<br /><br />Race/Ethnicity<br />18 Implications of Blackness in Contemporary Art 356<br />Pauline de Souza<br /><br />Embodiment<br />19 The Paradoxical Bodies of Contemporary Art 378<br />Christine Ross</p>
<p>Part VI: Methods/Theories 401<br /><br />Marxism<br />20 A Shadow of Marx 403<br />Neil Cummings and Marysia Lewandowska<br /><br />Poststructuralism<br />21 Poststructuralism and Contemporary Art, Past, Present, Future . . . 424<br />Sarah Wilson<br /><br />Postcolonial Theory<br />22 Fragments of Collapsing Space : Postcolonial Theory and Contemporary Art 450<br />Mark Crinson<br /><br />Visual Culture<br />23 Visual Culture Studies: Questions of History, Theory, and Practice 470<br />Marquard Smith</p>
<p>Part VII: Technology 491<br /><br />Mass Culture, High/Low<br />24 That s All Folks : Contemporary Art and Popular Culture 493<br />Nick Mirzoeff<br /><br />Photography/Index<br />25 Image + Text: Reconsidering Photography in Contemporary Art 512<br />Liz Kotz<br /><br />Spectacle/Appropriation<br />26 Imagine There s No Image (It s Easy If You Try): Appropriation in the Age of Digital Reproduction 534<br />Dore Bowen<br /><br />Digital Media<br />27 Life–like : Historicizing Process and Responsiveness in Digital Art 557<br />María Fernández</p>
<p>Index 582</p>
<p>Notes on Contributors xiv</p>
<p>Series Editor s Preface xviii</p>
<p>Acknowledgments xix</p>
<p>Part I: Introduction 1</p>
<p>1 Writing Contemporary Art into History, a Paradox? 3<br />Amelia Jones</p>
<p>Part II: Decades 17<br />1945 60</p>
<p>2 America and its Discontents: Art and Politics 1945 60 19<br />Gavin Butt<br />1960 70</p>
<p>3 The 1960s: A Decade Out–of–Bounds 38<br />Anna Dezeuze<br />1970 80</p>
<p>4 I m sort of sliding around in place . . . ummm . . . : Art in the 1970s 60<br />Sam Gathercole<br />1980 90</p>
<p>5 Pictures and Positions in the 1980s 83<br />Howard Singerman<br />1990 2005</p>
<p>6 1990 2005: In the Clutches of Time 107<br />Henry M. Sayre</p>
<p>Part III: Aesthetics 125<br /><br />Formalism<br />7 Form and Formless 127<br />Caroline A. Jones<br /><br />Art as Idea<br />8 Re–Thinking the Duchamp Effect 145<br />David Hopkins<br /><br />Beauty<br />9 Regarding Beauty 164<br />Margaret Morgan</p>
<p>Part IV: Politics 189<br />Avant–Garde</p>
<p>10 Avant–Garde: A Historiography of a Critical Concept 191<br />Johanne Lamoureux<br /><br />Activism<br />11 Facture for Change: US Activist Art since 1950 212<br />Jennifer González and Adrienne Posner<br /><br />Culture Wars<br />12 The Senators Were Revolted : Homophobia and the Culture Wars 231<br />Jonathan D. Katz<br /><br />Art and Its Public(s)<br />13 Crowds and Connoisseurs: Art and the Public Sphere in America 249<br />Grant Kester</p>
<p>Part V: Identity/Subjectivity 269<br /><br />The Artist<br />14 The Writerly Artist: Beautiful, Boring, and Blue 271<br />Carol Mavor<br /><br />Diaspora<br />15 Diaspora: Multiple Practices, Multiple Worldviews 296<br />Steven Nelson<br /><br />Feminism<br />16 Power and Pleasure: Feminist Art Practice and Theory in the United States and Britain 317<br />Laura Meyer<br /><br />Queer<br />17 Queer Wallpaper 343<br />Jennifer Doyle<br /><br />Race/Ethnicity<br />18 Implications of Blackness in Contemporary Art 356<br />Pauline de Souza<br /><br />Embodiment<br />19 The Paradoxical Bodies of Contemporary Art 378<br />Christine Ross</p>
<p>Part VI: Methods/Theories 401<br /><br />Marxism<br />20 A Shadow of Marx 403<br />Neil Cummings and Marysia Lewandowska<br /><br />Poststructuralism<br />21 Poststructuralism and Contemporary Art, Past, Present, Future . . . 424<br />Sarah Wilson<br /><br />Postcolonial Theory<br />22 Fragments of Collapsing Space : Postcolonial Theory and Contemporary Art 450<br />Mark Crinson<br /><br />Visual Culture<br />23 Visual Culture Studies: Questions of History, Theory, and Practice 470<br />Marquard Smith</p>
<p>Part VII: Technology 491<br /><br />Mass Culture, High/Low<br />24 That s All Folks : Contemporary Art and Popular Culture 493<br />Nick Mirzoeff<br /><br />Photography/Index<br />25 Image + Text: Reconsidering Photography in Contemporary Art 512<br />Liz Kotz<br /><br />Spectacle/Appropriation<br />26 Imagine There s No Image (It s Easy If You Try): Appropriation in the Age of Digital Reproduction 534<br />Dore Bowen<br /><br />Digital Media<br />27 Life–like : Historicizing Process and Responsiveness in Digital Art 557<br />María Fernández</p>
<p>Index 582</p>
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