Critical Distance in Documentary Media

<div><div>1. Introduction: Critically Distant,&nbsp;Gerda Cammaer, Blake Fitzpatrick, and Bruno Lessard.- 2.&nbsp;Indexicality in the Age of the Sensor and Metadata, Craig Hight.- 3.&nbsp;Shot in the Dark: Nocturnal Philosophy and Night Photography, Bruno Lessard.- 4.&nbsp;Approaches to Xianchang: Documenting the Real in Post-socialist China,&nbsp;Madeline Eschenburg.- 5.&nbsp;Ai Weiwei: Grafting as a Documentary Tactic in Art, Luisa Santos.- 6.&nbsp;Unsatisfactory Devices: Legacy and the Un-Documentable in Art, Angela Bartram.- 7.&nbsp;From Above: Critical Distance, Aerial Views and Counter-Images,&nbsp;Blake Fitzpatrick.- 8.&nbsp;Phantom Rides as Images of a World Unfolding,&nbsp;Gerda Cammaer.- 9.&nbsp;Mobile Media: A Reliable Documentary Witness?,&nbsp;Anandana Kapur.- 10.&nbsp;Redefining the ‘Document’: Social-Media Photographs as Narrative, Performance, Habitude,&nbsp;Kris Belden-Adams.- 11.&nbsp;Instagram as Archive: Constructing Experimental Documentary Narratives from Everyday Moments, Patrick Kelly.- 12.&nbsp;That Seagull Stole My Camera (and My Shot)!: Overlapping Metaphorical and Physical Distances in the Human-Animal-Camera Triad,&nbsp;Concepción Cortés-Zulueta.- 13.&nbsp;Longitudinal Listening: Documenting the Soundscape of Intermedial Vancouver,&nbsp;Randolph Jordan.- 14.&nbsp;From Voice to Listening: Becoming Implicated Through Multi-linear Documentary,&nbsp;Kim Munro.-&nbsp;From Critical Distance to Critical Intimacy: Interactive Documentary and Relational Media,&nbsp;Adrian Miles, with Bruno Lessard, Hannah Brasier and Franziska Weidle.</div></div>