Moving Imagination

1. Moving imagination: Headlines and themes (by De Preester, Helena); 2. Bodily resonance (by Sheets-Johnstone, Maxine); 3. The moving body: Gestural recreation of the world in drama (by Escribano, Xavier); 4. Movement, gesture, and meaning: A sensorimotor model for audience engagement with dance (by Seeley, William P.); 5. Achieved spontaneity and spectator's performative experience - The motor dimension of the actor-spectator relationship (by Sofia, Gabriele); 6. The digital body in contemporary American cinema (by Luceri, Marco); 7. Embodiment: Technologies and musics (by Ihde, Don); 8. Is gesture knowledge? A philosophical approach to the epistemology of musical gestures (by Funk, Michael); 9. Sound in film as an inner movement: Towards embodied listening strategies (by Huvenne, Martine); 10. Body English: Kinaesthetic empathy, dance and the art of Len Lye (by Parmenter, Michael); 11. The somatic in kinetic sculpture: From Len Lye to an introverted kinetic sculpture (via Donna Haraway's cyborg) (by Woodward, Laura); 12. Edgar Degas: Modelling movement. Being in the body (by Wiseman, Boris); 13. Time lines: The temporal dimension of marking (by Rosand, David); 14. Styles of observation and embodiment: Using drawing to understand Robert Morris' Untitled 3 L-Beams (1965) (by Halsall, Francis); 15. Cy Twombly: Gesture, space, and writing (by Kaushik, Rajiv); 16. Pre-motor and motor activities in early medieval handwriting (by van Zwieten, Jan W.M.); 17. The neurophenomenology of gesture in the art of Henri Michaux (by Hetrick, Jay); 18. Moving without moving: A first-person experiential phenomenological approach (by Depraz, Natalie); 19. The "I cannot, but it can" of aesthetic perception (by Harris, Erica); 20. Name index; 21. Subject index