The Dancing Word
An Embodied Approach to the Preparation of Performers and the Composition of Performances
Paperback Engels 2011 9789042033306Samenvatting
The product of over eighteen years of embodied research by the author, The Dancing Word presents a systemic and phenomenological description of a contemporary intercultural theatre practice. This volume offers a blueprint for both training and collaborative performance creation that integrates the best of western laboratory theatre with the practice and ontological underpinnings of Chinese martial (Wushu) and healing/self care (Qigong) arts. This is a book for theatre practitioners, students, scholars, and those interested in exploring transcultural methodologies.
Specificaties
Lezersrecensies
Inhoudsopgave
Acknowledgements
List of Figures
Preface – Master Chen Zhonghua, M.Ed.
Foreword – Professor Lisa Wolford Wylam, Ph.D.
Introduction
Beginnings in Embodied Learning
Chinese Martial Arts
Principles of Performer Preparation
Principles of Performance Composition
Practice of Preparation and Composition
Performance Pedagogy in Practice
Martial Movement Training and Consciousness
References
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